Hail to the Bard! The shiny new-look Shakespeare Magazine 11 is adorned with a simply stunning cover image of rising young stars Lily James and Richard Madden in Kenneth Branagh’s Romeo and Juliet

It’s here! Please, read, enjoy and share far & wide the completely free delight that is Shakespeare Magazine 11!

Issue 11 Cover

The shiny new-look Shakespeare Magazine 11 is adorned with a simply stunning cover image of rising young stars Lily James and Richard Madden in Kenneth Branagh’s Romeo and Juliet.

Head straight to page 6 to discover what our reviewer thought of the production. (Clue: she loved it)

Also in Issue 11, SK Moore tells us about his compelling new graphic novel of Shakespeare’s Macbeth, while broadcaster Samira Ahmed turns her magnificently mercurial mind to the subject of Shakespeare.

We have words with Pub Landlord comedian Al Murray about his recent brush with the Bard (and Judi Dench) at RSC Shakespeare Live.

And our Editor gorges himself on a 3-DVD box set of 1960s television Shakespeare classic The Wars of the Roses.

Check out our chat with the great Don Warrington, star of Talawa Theatre’s earth-shaking King Lear at Manchester’s Royal Exchange – youthful co-star Alfred Enoch joins in too.

Following up last issue’s cheeky Shakespeare/Star Wars feature we’ve dared to imagine what Tom Hiddleston’s Hamlet would look like. (Looks pretty darn cool, actually)

We also take the opportunity to explore the life of Elizabeth Siddal, the model for Millais’ classic Victorian painting of Shakespeare’s Ophelia.

And last but very much not least, Bristol’s Insane Root Theatre take us very deep into a cave in order to scare the living daylights out of us with their Macbeth!

And remember, you can read all 11 issues of Shakespeare Magazine completely free here.

This summer, the aptly-named Insane Root theatre company staged Shakespeare’s Macbeth in the subterranean setting of Bristol’s Redcliffe Caves

“Seeing Macbeth unfold deep in the Redcliffe Caves was a compelling and moving experience which made the play come alive in all its brilliant madness and poetry”

[Images by Graham Burke]

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Sometimes a performance space and a company come together and create something special. Insane Root Theatre’s spell-binding Macbeth, directed by Hannah Drake and produced by Justin Palmer, was one of those times.

The play’s run deservedly sold out and created a buzz as part of the 2015 Bristol Shakespeare Festival.

Insane Root was only formed in 2014, so it was especially exciting to see such a new theatre company deliver this thought-provoking and mature interpretation of the play.

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The production opened with the likeable Porter (Andrew Kingston) leading the audience lantern-first into the dimly-lit cave.

Right from the start, the energy in the caves was electrifying, as Macbeth (Ben Crispin) and Banquo (Zachary Powell) conveyed the frenetic atmosphere of a war-torn Scotland.

The witches caused many audience members to shriek; their unnerving appearance enhanced by their guttural and distorted speech.

The contradictory nature of Macbeth’s relationship with Lady Macbeth (Nicola Stuart-Hill) was vividly portrayed.

Lady Macbeth was the perfect balance of ferocious and fragile.

Many of the cast doubled in other roles with Lorna Jinks, James D Kent and Elliot Chapman completing a line-up who never once let the intensity of their performance waver.

Insane Root Macbeth
As the play moved towards its tragic end, Ben Crispin excelled as a Macbeth sliding deeper into chaos.

These final scenes really embodied our attraction to power, and our fascination with madness.

The lighting design from Edmund McKay meant flickering shadows, candles and strategic spotlights maintained the slightly surreal, yet intimate, atmosphere throughout.

Redcliffe Caves, situated at the heart of the old docklands, are an interesting part of Bristol’s history, and they have attracted their own body of folklore.

Walking through the caves as part of Macbeth was a truly unique experience.

As we stepped back into the warm Bristol night, we felt deeply moved by the heady and beautiful performance.

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Macbeth in Redcliffe Caves by Insane Root Theatre, 11-27 July 2015

Visit Insane Root’s website.

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More on Bristol Shakespeare Festival.