Photo Essay: One of the stars of the acclaimed Donmar Shakespeare Trilogy, multi-talented Jade Anouka talks us through an action-packed gallery of images by photographer Helen Maybanks

Images by Helen Maybanks

Henry IV
Jade Anouka as Hotspur in Henry IV.

“This is actually during a scene change in Henry IV. Karen Dunbar live DJs throughout the show. But she is in the next scene so I take over the decks at this point.”

The Tempest
Jade as Ariel in The Tempest.

“During the song ‘Come Unto These Yellow Sands’ in The Tempest. The whole company perform the song with a mix of instruments including guitar, drums, harmonica and trumpet. Joan Armatrading composed the music for Shakespeare’s words. At this point I am rapping – our director got me to write some spoken word for the show to help bring moments up to date. As a poet, I relished the opportunity.”

Julius Caesar
Jade as Mark Antony in Julius Caesar.

“In Julius Caesar I begin Mark Anthony’s ‘Friends, Romans, Countrymen’ speech face down with the rest of the company/Romans pointing guns to my head. From this completely vulnerable point, it is amazing how Shakespeare’s words can move the crowd to follow Anthony.”

Henry IV
As Hotspur in Henry IV.

“This is Hotspur in an early scene of Henry IV. He is talking to the King, explaining that there was a misunderstanding, and at this point he is asking not to let this misunderstanding get in the way of their relationship.”

Henry IV
The Earl of Douglas (Leah-Harvey) spars with Hotspur in Henry IV.

“Hotspur recruits The Earl of Douglas to his side, and in this moment they are sparring – a sort of test or initiation to make sure Douglas is up to it. He proves he is more than capable!”

The Tempest
As Ariel in The Tempest.

“As Ariel, here I am performing another of my penned raps. This is in place of a rhyming couplet that Shakespeare wrote about how fast and efficiently Ariel says he and his sprites will fullfill Prospero’s tasks. I wrote a version, and it is performed just before the wedding.”

Henry IV
Prince Hal (Clare Dunne) battles Hotspur in Henry IV.

“Here is an action shot in the big fight and only meeting of Prince Hal and Hotspur in the play. They are forced to fight to the death in order to win the war. It starts off as a stylised boxing match and descends into a grapple where a knife gets involved. I loved doing the stage combat! Thanks to Kombat Kate for choreographing.”

The Donmar Shakespeare Trilogy at King’s Cross Theatre runs until 17 December.

All performances of Julius Caesar and The Tempest, and all Trilogy Days are sold out. There are a limited number of tickets available for Henry IV on 13 December.

Go here for more information and tickets.

Is Shakespeare to blame for modern-day prejudice against people with skin problems?

Some experts are saying that Shakespeare may have handed down a fear of skin lesions along with his literary legacy.

In Elizabethan times, warts, sores and blisters were harbingers of contagious diseases such as plague, syphilis and smallpox, so the fear of them was well founded. But in a world of modern medicine such persistent distrust and dislike is unwarranted and often harmful to individuals.

But can the Bard be blamed for this?

From King Lear’s denunciation of “Thou are a boil, a plague sore, an embossed carbuncle” to the constant abuse heaped upon Henry IV‘s Bardolph for his nose like “an everlasting bonfire-light”, Shakespeare has no lack of skin condition-derived insults.

bardolph falstaff

Nina Goad, a spokesperson with the British Association of Dermatologists, believes that these barbs have perpetuated discrimination against those with skin problems.  Speaking with the Telegraph she said, “Nobody is suggesting that we edit Shakespeare but maybe we should ensure that new films and books don’t reinforce this stereotype”.

The paper “Is Shakespeare to blame for the negative connotations of skin disease?” presented at BAD’s annual conference says that while Shakespeare “may not have accepted Elizabethan society’s negativity towards skin disease, it can be argued that his success has led to its perpetuation”.

Scholars have been quick to defend the Bard.

“Has any writer in history ever suggested that the symptoms of skin disease are attractive?” Professor Michael Dobson, director of Birmingham University’s Shakespeare Institute, asked the Telegraph.

Read more on this subject here.